Fiction. Asian American Studies. As the first international anthology of Filipina writers published in the United States, BABAYLAN reflects the complex history of a people whose roots have stretched to both sides of the globe. The voices represented in this collection offer a broad and varied perspective on the Filipina writer whose diasporic existence is a living, breathing bridge, not only between countries but also generations, as strong voices from the past fuel realities of the future. As a result, vibrant and original art, the trademark of Filipina writers perpetually emerges and evolves. With contributions from over 60 writers--both Filipina and Filipina American--BABAYLAN provides readers with a comprehensive view of a growing and vibrant transnational literary culture. Challenging. Innovative. Fierce and reflective. Somber and funny. No one word can capture the extraordinary range of this collection.

From the indie rock sensation known as Japanese Breakfast, an unforgettable memoir about family, food, grief, love, and growing up Korean American--"in losing her mother and cooking to bring her back to life, Zauner became herself" (NPR) * In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother's particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band--and meeting the man who would become her husband--her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother's diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her. Vivacious and plainspoken, lyrical and honest, Zauner's voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, and complete with family photos, Crying in H Mart is a book to cherish, share, and reread.

"Alternating between the Philippines and the United States, namely New York and Los Angeles, The Gangster of Love is the story of Rocky Rivera, who plays in a dissolute rock band with her on-again, off-again boyfriend, Elvis Chang; Rocky's spirited and deeply traditional mother, Milagros; her troubled and bedeviled brother, Voltaire; her wonderfully eccentric uncle, Marlon; and her best friend, the wildly unpredictable, enigmatic Keiko. These, along with other characters real and imagined, form a family story spanning generations and cultures. Together they grow to and through adulthood, acquiring spouses, lovers, companions, children, and in-laws; making a place for themselves in the world; shattering myths, icons, and expectations; struggling to find that point where alienation and assimilation, identity and dignity, coincide."--by Blackwell North America.

A graphic memoir about American identity, interracial families and the realities that divide us, by the acclaimed author of The Sleepwalker's Guide to Dancing. "How brown is too brown?" "Can Indians be racist?" "What does real love between really different people look like?" Like many six-year-olds, Mira Jacob's half-Jewish, half-Indian son, Z, has questions about everything. At first they are innocuous enough, but as tensions from the 2016 election spread from the media into his own family, they become much, much more complicated. Trying to answer him honestly, Mira has to think back to where she's gotten her own answers: her most formative conversations about race, color, sexuality, and, of course, love. Written with humor and vulnerability, this deeply relatable graphic memoir is a love letter to the art of conversation--and to the hope that hovers in our most difficult questions.

2010 National Book Award Finalist 2010-2011 Asian/Pacific American Library Association (APALA) Book Award Winner in Adult Fiction 2010 California Book Award Winner Dazzling and ambitious, this hip, multi-voiced fusion of prose, playwriting, graphic art, and philosophy spins an epic tale of America's struggle for civil rights as it played out in San Francisco's Chinatown. Divided into ten novellas, one for each year,I Hotel begins in 1968, when Martin Luther King and Bobby Kennedy were assassinated, students took to the streets, the Vietnam War raged, and cities burned. As Karen Yamashita's motley cast of students, laborers, artists, revolutionaries, and provocateurs make their way through the history of the day, they become caught in a riptide of politics and passion, clashing ideologies and personal turmoil. And by the time the survivors unite to save the International Hotel--epicenter of the Yellow Power Movement--their stories have come to define the very heart of the American experience.

Descendants of Vietnam veterans and refugees confront the aftermath of war and, in verse and prose, deliver another kind of war story. Fifty years after the Vietnam War, this anthology by descendants of Vietnam veterans and refugees--American, Vietnamese, Vietnamese Diaspora, Hmong, Australian, and others--confronts war and its aftermath. What emerges is an affecting portrait of the effects of war and family--an intercultural, generational dialogue on silence, memory, landscape, imagination, Agent Orange, displacement, postwar trauma, and the severe realities that are carried home. Including such acclaimed voices as Viet Thanh Nguyen, Karen Russell, Terrance Hayes, Suzan-Lori Parks, Nick Flynn, and Ocean Vuong, Inheriting the War enriches the discourse of the Vietnam War and provides a collective conversation that attempts to transcend the recursion of history. "Each unique work in Inheriting the War embraces a collective that aims to engage through some daring and passionate truths calibrated by bravery." --Yusef Komunyakaa

Winner of the Pulitzer Prize for fiction, this stunning debut collection unerring charts the emotional journeys of characters seeking love beyond the barriers of nations and generations. In stories that travel from India to America and back again, Lahiri speaks with universal eloquence to everyone who has ever felt like a foreigner.

A collection of autobiographical writings, short stories, poetry, essays, and photos by and about Asian American women.

"No-No Boy has the honor of being among the first of what has become an entire literary canon of Asian American literature," writes novelist Ruth Ozeki in her new foreword. First published in 1957, No-No Boy was virtually ignored by a public eager to put World War II and the Japanese internment behind them. It was not until the mid-1970s that a new generation of Japanese American writers and scholars recognized the novel's importance and popularized it as one of literature's most powerful testaments to the Asian American experience. No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life "no-no boys." Yamada answered "no" twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earns two years in prison and the hostility of his family and community when he returns home to Seattle. As Ozeki writes, Ichiro's "obsessive, tormented" voice subverts Japanese postwar "model-minority" stereotypes, showing a fractured community and one man's "threnody of guilt, rage, and blame as he tries to negotiate his reentry into a shattered world." The first edition of No-No Boy since 1979 presents this important work to new generations of readers.

The definitive anthology of Japanese American internment. "In these stories are lifted up our humanity, our indomitable spirit and dignity, an implacable quest for justice"--Janice Mirikitani Shortly after the Japanese attacked Pearl Harbor, the United States government uprooted 120,000 people of Japanese descent from their homes and banished them to remote internment camps. This collection of reminiscences, stories, poems, photographs, and graphic art expresses the range of powerful and sometimes conflicting emotions that arose from the internment experience. Also included are propaganda, government documents, and stories of those outside the camps whose lives were interwoven with those of the internees.

The first book to highlight the unique stories and perspectives of this growing prisoner population in the U.S. In total, 22 talented writers, poets, and artists contributed to this anthology project, which was initiated and co-edited by Eddy Zheng, who spent two decades in California State prisons awaiting deportation orders in an immigration detention jail. He was eventually released, appealed his deportation orders and is now working with at-risk youth and formerly incarcerated Asians.

The Refugees is the remarkable debut collection of short stories by Viet Thanh Nguyen, winner of the 2016 Pulitzer Prize for Fiction for his novel The Sympathizer. In these powerful stories, written over a period of twenty years and set in both Vietnam and America, Nguyen paints a vivid portrait of the experiences of people leading lives between two worlds, the adopted homeland and the country of birth. Viet Thanh Nguyen gives voice to the hopes and expectations of people making life-changing decisions to leave one country for another, and the rifts in identity, loyalties, romantic relationships, and family that accompany relocation. From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her for a former lover, to a girl living in Ho Chi Minh City whose older half-sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of migration. The Refugees is a beautifully written and sharply observed book about the aspirations of those who leave one country for another, and the relationships and desires for self-fulfillment that define our lives.

One of the most acclaimed essayists of his generation, Wesley Yang writes about race and sex without the jargon, formulas, and polite lies that bore us all. His powerful debut, The Souls of Yellow Folk, does more than collect a decade's worth of cult-reputation essays--it corrals new American herds of pickup artists, school shooters, mandarin zombies, and immigrant strivers, and exposes them to scrutiny, empathy, and polemical force. In his celebrated and prescient essay "The Face of Seung-Hui Cho," Yang explores the deranged logic of the Virginia Tech shooter. In his National Magazine Award-winning "Paper Tigers," he explores the intersection of Asian values and the American dream, and the inner torment of the child exposed to "tiger mother" parenting. And in his close reading of New York Magazine's popular Sex Diaries, he was among the first critics to take seriously today's Internet-mediated dating lives. Yang catches these ugly trends early because he has felt at various times implicated in them, and he does not exempt himself from his radical honesty. His essays retain the thrill of discovery, the wary eye of the first explorer, and the rueful admission of the first exposed.

Read an essay by Chang-rae Lee here. The bestselling, award-winning writer of Native Speaker, A Gesture Life, and Aloft returns with his biggest, most ambitious novel yet: a spellbinding story of how love and war echo through an entire lifetime. With his three critically acclaimed novels, Chang-rae Lee has established himself as one of the most talented writers of contemporary literary fiction. Now, with The Surrendered, Lee has created a book that amplifies everything we've seen in his previous works, and reads like nothing else. It is a brilliant, haunting, heartbreaking story about how love and war inalterably change the lives of those they touch. June Han was only a girl when the Korean War left her orphaned; Hector Brennan was a young GI who fled the petty tragedies of his small town to serve his country. When the war ended, their lives collided at a Korean orphanage where they vied for the attentions of Sylvie Tanner, the beautiful yet deeply damaged missionary wife whose elusive love seemed to transform everything. Thirty years later and on the other side of the world, June and Hector are reunited in a plot that will force them to come to terms with the mysterious secrets of their past, and the shocking acts of love and violence that bind them together. As Lee unfurls the stunning story of June, Hector, and Sylvie, he weaves a profound meditation on the nature of heroism and sacrifice, the power of love, and the possibilities for mercy, salvation, and surrendering oneself to another. Combining the complex themes of identity and belonging of Native Speaker and A Gesture Life with the broad range, energy, and pure storytelling gifts of Aloft, Chang-rae Lee has delivered his most ambitious, exciting, and unforgettable work yet. It is a mesmeriz­ing novel, elegantly suspenseful and deeply affecting.

The winner of the 2016 Pulitzer Prize for Fiction, as well as seven other awards, The Sympathizer is the breakthrough novel of the year. With the pace and suspense of a thriller and prose that has been compared to Graham Greene and Saul Bellow, The Sympathizer is a sweeping epic of love and betrayal. The narrator, a communist double agent, is a "man of two minds," a half-French, half-Vietnamese army captain who arranges to come to America after the Fall of Saigon, and while building a new life with other Vietnamese refugees in Los Angeles is secretly reporting back to his communist superiors in Vietnam.The Sympathizer is a blistering exploration of identity and America, a gripping espionage novel, and a powerful story of love and friendship.

In the linked essays that make up her debut collection, This Is One Way to Dance, Sejal Shah explores culture, language, family, and place. Throughout the collection, Shah reflects on what it means to make oneself visible and legible through writing in a country that struggles with race and maps her identity as an American, South Asian American, writer of color, and feminist. This Is One Way to Dance draws on Shah's ongoing interests in ethnicity and place: the geographic and cultural distances between people, both real and imagined. Her memoir in essays emerges as Shah wrestles with her experiences growing up and living in western New York, an area of stark racial and economic segregation, as the daughter of Gujarati immigrants from India and Kenya. These essays also trace her movement over twenty years from student to teacher and meditate on her travels and life in New England, New York City, and the Midwest, as she considers what it means to be of a place or from a place, to be foreign or familiar. Shah invites us to consider writing as a somatic practice, a composition of digressions, repetitions-movement as transformation, incantation. Her essays-some narrative, others lyrical and poetic-explore how we are all marked by culture, gender, and race; by the limits of our bodies, by our losses and regrets, by who and what we love, by our ambivalences, and by trauma and silence. Language fractures in its attempt to be spoken. Shah asks and attempts to answer the question: How do you move in such a way that loss does not limit you? This Is One Way to Dance introduces a vital new voice to the conversation about race and belonging in America.

Juxtaposing short stories, poetry, painting, and photographs, Troubling Borders showcases the creative work of women of Vietnamese, Cambodian, Lao, Thai, and Filipino ancestry. This thematically arranged collection interrupts borders of categorization and gender, in what preface author Shirley Geok-Lin Lim describes as a "leap over the barbed fences that have kept these women apart in these, our United States of America." The sixty-two contributors have been shaped by colonization, wars, globalization, and militarization. For some of these women on the margins of the margin, crafting and showing their work is a bold act in itself. Their provocative and accessible creations tell unique stories, provide sharp contrasts to familiar stereotypes--Southeast Asian women as exotic sex symbols, dragon ladies, prostitutes, or "bar girls"--and serve as entry points for broader discussions about questions of history, memory, and identity.

An exhilarating blend of autobiography and mythology, of world and self, of hot rage and cool analysis. First published in 1976, it has become a classic in its innovative portrayal of multiple and intersecting identities--immigrant, female, Chinese, American. As a girl, Kingston lives in two confounding worlds: the California to which her parents have immigrated and the China of her mother's "talk stories." The fierce and wily women warriors of her mother's tales clash jarringly with the harsh reality of female oppression out of which they come. Kingston's sense of self emerges in the mystifying gaps in these stories, which she learns to fill with stories of her own. A warrior of words, she forges fractured myths and memories into an incandescent whole, achieving a new understanding of her family's past and her own present.